NatashaBSaj

Sheffield Hallam University. Creative Arts Practice.
NATASHABSAJ.BLOGSPOT.CO.UK

Punch Me Panda →

youngmanhattanite:

Punch Me Panda was designed to “relieve anger and stress.” But when I started looking at his random YouTube videos, I noticed a change in the panda from November to the present. Let’s start with Video 1 and chart the changes.

Video 1. Brooklyn apartment:

The panda was invited to this…

— 1 month ago with 15 notes

Anteroom for Louis Vuitton by James Nizam

(Source: destructs)

— 4 months ago with 213 notes

Bradford Impressions Gallery 

40th Anniversary Exhibition: Roads to Wigan Pier

http://www.impressions-gallery.com/exhibitions/exhibition.php?id=50

— 4 months ago
I Am Legend (2007)
New York City journalist Christopher Moloney is an ongoing project in which he finds the particular location that popular movie scenes were filmed at and then holds a printed still from the movie scene in front of its corresponding real world location.

I Am Legend (2007)

New York City journalist Christopher Moloney is an ongoing project in which he finds the particular location that popular movie scenes were filmed at and then holds a printed still from the movie scene in front of its corresponding real world location.

(Source: philmfotos)

— 4 months ago with 261 notes

Photos from Popular Movie Scenes Held Up in Front of Real World Location

(via crushedbytheboring)

— 4 months ago with 341056 notes

Greg Sand. Remnants.

From the artist:

Remnants is a series about recollection and remembrance. Each ‘remnant’ in the series is composed of three found photos—each from a different point in the subject’s life—that have been cut into strips and woven together to form a portrait of a person who has passed away. Remnants uses cloth as a metaphor for memory.

(Source: darksilenceinsuburbia)

— 4 months ago with 450 notes

David Szauder. Failed Memories

(Source: myampgoesto11)

— 4 months ago with 3297 notes

The Obliteration Room by Yayoi Kusama

This space has been transformed into a series of domestic—style rooms, reminiscent of the average Australian home, filled with furniture and objects painted entirely white. This functions as a blank canvas that becomes ‘obliterated’ over the course of the exhibition through the application of brightly coloured dot stickers.

(Source: destructs)

— 4 months ago with 270 notes
chemicallights:

“The Hotel, Room 28” 1981
Sophie Calle
2 works on paper, photographs and ink

chemicallights:

“The Hotel, Room 28” 1981

Sophie Calle

2 works on paper, photographs and ink

— 4 months ago with 11 notes
Sophie Calle. Hotel Room 28, 29, 44, 47.

http://www.tate.org.uk/art/artworks/calle-the-hotel-room-29-p78302

your not allowed to take photographs in most galleries, and I wasn’t sneaky enough so I’ve posted this link to the work by Spohie Calle that I seen at the liverpool Biennial in the Tate.

— 4 months ago

love postcards.

Norway, 1965

(Source: jrarcieri)

— 5 months ago with 5 notes

Dane Mitchell. Ghost paper. 

Liverpool Biennial 2012. The Monro

— 5 months ago